Bored

Chapter 3: My Mother's Name Was Worth More Than They Knew

I didn't sleep.

I sat at my desk until sunrise, staring at the photograph.

Carter House.

I'd never heard of it.

My father owned a small construction company. My mother had been a seamstress who worked from home, repairing clothes and making dresses for neighbors.

At least, that was the story I'd grown up believing.

But the building in the photograph looked enormous.

It had tall glass windows, a stone entrance, and a gold sign that suggested something far more important than a neighborhood sewing business.

I turned the photograph over again.

The handwriting was unmistakably hers.

For Emily, when she is ready.

I wanted to ask Dad.

But he'd specifically told me to wait.

So I did the only thing I could think of.

I searched the name online.

The results were strange.

A few old newspaper articles appeared, most of them dating back more than twenty years.

One headline caught my attention.

*LOCAL DESIGNER HELEN CARTER OPENS SCHOLARSHIP PROGRAM FOR YOUNG WOMEN.*

Helen Carter.

My mother's name.

I clicked the article.

It described her as an award-winning designer and the founder of Carter House, an independent fashion academy that had trained hundreds of young designers.

I stared at the screen.

My mother?

The article included a photograph of her standing beside several models wearing elaborate gowns.

She looked younger than I remembered.

Confident.

Beautiful.

And completely different from the quiet woman I remembered sitting at our kitchen table, sewing patches onto my school uniform.

I kept reading.

Carter House had eventually become part of a larger business called Carter Creative Group.

The company owned fashion studios, a design academy, and several commercial properties.

The article said Helen Carter had stepped away from public life after becoming seriously ill.

There was no mention of her death.

I searched again.

This time, I found an old business registry.

The company was still active.

Its current chairman was listed as Richard Carter.

My father.

I leaned back.

What?

My father had never mentioned owning a fashion company.

I clicked another link.

The company had a website, though it looked outdated.

A page titled OUR HISTORY included a photograph of my mother.

Underneath it were the words:

Founded by Helen Carter in 1998. Built on the belief that every young woman deserves the opportunity to create her own future.

I felt something tighten in my chest.

My mother hadn't simply enjoyed sewing.

She had built something.

Something enormous.

And somehow, my father had kept it hidden from me.

At 7:30 a.m., I went downstairs.

Dad was sitting at the kitchen table with his laptop open.

He looked exhausted.

"Dad?""

He closed the laptop.

"Morning, sweetheart.""

I placed the photograph in front of him.

He stared at it.

Then he closed his eyes.

"Where did you get this?""

"Someone sent it to me.""

He picked it up carefully.

"Emily...""

"Why didn't you tell me?""

He rubbed his face.

"Because I wanted you to have a normal childhood.""

I stared at him.

"Normal?""

"Your mother was involved in a complicated business. After she died, I tried to keep everything stable.""

"Why did you tell me she was just a seamstress?""

"I never said she was just a seamstress.""

"You let me believe she was.""

He looked down.

I pulled out my phone and opened the old article.

"She founded Carter House. She owned a fashion company. You were chairman.""

Dad stared at the screen.

"Yes.""

"Then why am I working at a bakery, saving every dollar to buy a dress, while everyone pretends we have nothing?""

His expression changed.

"Because the business isn't what you think it is.""

"What does that mean?""

He looked toward the staircase.

"Your mother left a trust. It was supposed to protect your future and preserve her work.""

"Okay.""

"After she died, I discovered there were problems with the company accounts.""

"What kind of problems?""

"Money had been moved. Documents were missing. Some of the original ownership records had been altered.""

I felt sick.

"Who did that?""

Dad hesitated.

"That's what I've been trying to establish.""

"Does Diane know?""

He didn't answer.

I understood.

"Dad.""

He stood and walked toward the window.

"Diane became involved in the business after we married. She helped manage some of the administrative work.""

"And Vanessa?""

"Vanessa has nothing to do with the company.""

I thought about the anonymous message.

"Are you sure?""

Dad turned.

"Emily, what exactly happened yesterday?""

I showed him the message.

He read it.

His face went pale.

"Where did you get this?""

"I told you. An unknown number.""

He immediately called someone.

I heard him say the words "trust documents," "original beneficiary," and "urgent review.""

When he ended the call, he looked at me.

"Your mother wanted you to receive control of a portion of the company when you turned eighteen.""

I blinked.

"I'm seventeen.""

"Your birthday is in six weeks.""

"How much control?""

Dad swallowed.

"Forty-nine percent of Carter Creative Group.""

I stared at him.

The kitchen seemed to tilt.

"Forty-nine?""

"Yes.""

"Why?""

"Because your mother built it for you. She wanted you to have a choice. You could sell your shares, continue the company, or create something entirely your own.""

I looked down at the photograph.

My mother had planned a future for me.

A future I hadn't even known existed.

"Why didn't you tell me before?""

Dad reached for my hand.

"Because I wanted to make sure everything was safe first.""

I pulled away.

"And was it?""

He looked toward the stairs again.

"No.""

Before I could ask anything else, Diane entered the kitchen.

"Richard? Have you seen my car keys?""

Her eyes moved between us.

Then she noticed the photograph.

Her expression changed so quickly I almost missed it.

"Where did you get that?""

I looked at her.

"Why?""

She reached for the photograph.

Dad moved it away.

"Diane, not now.""

She stared at him.

"Richard, we agreed—"

"We agreed to protect Emily.""

Diane's mouth tightened.

Vanessa appeared behind her, wearing pajamas and carrying a cup of coffee.

"What are you two arguing about?""

Nobody answered.

She noticed the photograph.

"What's that?""

I picked it up.

"Something my mother left me.""

Vanessa gave a small laugh.

"Your mother left you a picture?""

I looked at her.

"Apparently, she left me quite a lot.""

Diane's face went white.

"Richard, can we speak privately?""

"No.""

"Please.""

"No, Diane. Not anymore.""

Vanessa looked between them.

"Mom?""

Diane turned toward her.

"Go upstairs.""

"But—"

"Now.""

Vanessa rolled her eyes and left.

I remained standing.

"Dad, I want to know everything.""

He nodded slowly.

"Then we'll go through the documents tonight.""

Diane stepped forward.

"That isn't necessary.""

Dad turned toward her.

"Actually, it is.""

For the first time since I'd known her, Diane looked frightened.

And I realized something.

She wasn't afraid of my questions.

She was afraid of the answers.

That afternoon, I went to school with the photograph tucked inside my backpack.

I still had a dress to finish.

I still had a competition to attend.

And I still had prom the following night.

For a few hours, I managed to concentrate on ordinary things.

Lily helped me finish a chemistry assignment. We ate lunch outside. She made me laugh by imitating our history teacher's dramatic voice.

Then, during my last class, the office called.

"Emily Carter? Please come to the principal's office.""

My stomach tightened.

When I arrived, Vanessa was already sitting inside.

Beside her sat Diane.

And across from them was a woman in a navy suit holding a folder.

The principal stood near his desk.

"Emily," he said, "thank you for coming.""

I looked at Vanessa.

She smiled.

"What happened?""

The woman in the navy suit opened her folder.

"My name is Margaret Ellis. I'm coordinating the Westbridge Fashion Gala.""

I recognized her name from the email.

"Is something wrong with my entry?""

She exchanged a glance with the principal.

"I'm afraid we've received a formal complaint regarding your submitted design.""

My heart sank.

"What kind of complaint?""

Diane folded her hands.

"Emily, this is very serious.""

I turned toward her.

"Why are you here?""

Margaret spoke before Diane could answer.

"Someone has alleged that your design contains intellectual property belonging to another student.""

I stared at her.

"What?""

Vanessa lowered her eyes.

A tiny smile touched her lips.

Margaret opened the folder and removed several printed photographs.

They showed my midnight-garden dress.

Then she placed another image beside them.

It was a sketch of a crimson floral gown.

The lines were almost identical to mine.

Except the date printed at the bottom was six months earlier.

And the name beneath it was Vanessa Carter.

I stared at the page.

"That's impossible.""

Vanessa finally looked up.

"Emily, I didn't want it to come to this.""

I turned toward her.

"You've never designed that dress.""

Her eyes filled with tears.

"Please don't make this worse.""

Diane placed a comforting hand on her shoulder.

Margaret's expression remained professional.

"We've temporarily suspended your finalist status until the ownership dispute is resolved.""

I felt as though someone had pulled the floor out from beneath me.

"But I made that dress.""

Vanessa shook her head.

"That's not what the evidence says.""

I looked at the sketch again.

The handwriting was mine.

The tiny notes in the margins were mine.

Even the little crescent-shaped mark in the lower-right corner was mine.

Someone had stolen my original sketchbook pages.

I looked at Vanessa.

"Where did you get that?""

She didn't answer.

Margaret closed the folder.

"Emily, we need you to provide any original sketches, dated photographs, or other evidence demonstrating that you created this design independently.""

I nodded slowly.

"I can.""

Vanessa's expression flickered.

For the first time, she looked uncertain.

Then Margaret added one more thing.

"There's another issue.""

She removed a final sheet from the folder.

It was a printed email.

The sender's name was Diane Carter.

The recipient was the gala's executive sponsor.

And the subject line read:

*URGENT — CONCERN REGARDING EMILY CARTER'S FAMILY BACKGROUND.*

I began reading.

My hands went cold.

The email claimed that I had a history of stealing other people's designs.

It claimed I was emotionally unstable.

And it suggested that allowing me to represent the school would create a serious reputational risk.

I looked up.

Diane wouldn't meet my eyes.

Vanessa stared at the floor.

I understood then.

Destroying my dress hadn't been enough.

They wanted to destroy my chance before anyone could see what I was capable of.

But there was one thing they didn't know.

I had taken photographs of every stage of my redesign.

Every cut.

Every stitch.

Every crimson flower.

And I had something even better.

The original sketchbook.

I opened my backpack and pulled out my mother's photograph.

Beneath it was the small notebook I'd been carrying everywhere since freshman year.

I placed it on the table.

"I can prove every single design is mine.""

Margaret looked at the notebook.

Then at me.

"Do you have the original submission dates?""

I nodded.

"Every page is dated.""

She opened it.

Her expression changed as she turned through the sketches.

Then she stopped.

One page caught her attention.

It wasn't a dress.

It was a drawing of the Carter House building.

Beneath it, in my handwriting, were the words:

Mom's first studio. I want to make something like this someday.

Margaret looked at me.

"Emily, where did you get this notebook?""

"It's mine.""

She turned another page.

Then another.

Suddenly, she stopped again.

Her eyes widened.

"That's impossible.""

I leaned forward.

"What?""

Margaret pointed to a signature at the bottom of the page.

It was my mother's name.

Helen Carter.

And beneath it was a handwritten note:

To my daughter, Emily. The future belongs to the girl who refuses to surrender her name.

Margaret slowly closed the notebook.

Then she looked directly at Diane.

"Mrs. Carter, I think we need to discuss something you may have failed to disclose.""

Diane's face drained of color.

"What are you talking about?""

Margaret took a breath.

"Because Helen Carter wasn't just the founder of Carter House.""

She looked at me.

"She was also the original owner of the entire foundation sponsoring this gala.""

May you like

And then she said the words that made Vanessa's smile disappear.

"Emily, I believe your mother intended you to inherit something much bigger than a fashion company.""

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